“Wynonna Earp” Is Everything “Once Upon A Time” Should Have Been

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**Spoilers ahoy.**

Our main character is a badass woman in a leather jacket, with past childhood trauma and a history of institutionalization. She is forced to travel to a small town that contains clues about her origins – apparently, one of her ancestors (or two) were legends. She teams up with a man in law enforcement. Her greatest wish is reconnect with her family. She’s the chosen one who has to save the tiny town she and her loved ones live in by fighting supernatural forces.

I used to love the TV show Once Upon A Time. Emma Swan was everything I wanted in a strong female character. But ever since…ohhhh, around season 3, the show’s been on a downhill tumble. It got so pathetic that I straight up quit watching after a while. There comes a time when you realize a show isn’t going through a bad spell–it’s just not good anymore.

Wynonna Earp, like OUAT, is about a woman who is the descendant of a famous hero. The show is based on the mythos of Wyatt Earp and the gunfight at the O.K. Corral. Wynonna is a complex anti-hero who teams up with her sister and other characters to protect her town and break her family’s curse. I’ve watched the first season and man, is it good. But I can’t ignore the more than passing similarities to the fairytale show I used to enjoy.

What Once Upon A Time Did Wrong

When OUAT began, it promised a show about strong women, family, and the power of true love. The main story was about Emma and her strained relationship with her son, her journey to believing in fairy tales–and herself–and Regina Mills’s attempt at redemption for the sake of her beloved son and her struggle with her dark side.

But all these fresh new ideas were shunted to focus on the toxic guyliner-wearing fuckhead Captain Hook, who from his first appearance made an impression as a disgusting slimeball who comes off as a bit rapey. And Emma gives up all her strength and agency when she bewilderingly falls in love with this festering pile of leather. Regina, Henry, Snow and Charming–they were all forgotten, painted into the background as a backdrop for the dais worshipping the all wonderful King Hook and his abusive relationship with Emma.

And this is to say nothing of how the show has completely exhausted its vault of ideas, despite having the entire Disney pantheon at its disposal, or that only one (1) of the main cast is a POC, and that the LGBT community only got one (1), rushed, undeveloped arc shoved into one (1) single episode.

TL;DR: Terrible character development, stale plot arc, practically no representation for anyone who isn’t white and straight.

What Wynonna Earp Did Right

Wynonna is a well developed character, clever, strong, and flawed. Her relationship to her sister outshines either of the relationships she has with her two love interests. The cast is significantly more racially diverse than that of OUAT, and the lesbian relationship between Waverly and Nicole easily gets as much attention as Wynnona and Dolls or Wynonna and Doc.

(Doc Holliday being an immortal sassmouth is probably the coolest thing about this show, to be totally honest.)

Also, Doc and Dolls are both great guys, complex in their own right and vastly different from each other but still utterly lovable, and they both adore and respect Wynonna. And her character isn’t sacrificed for the sake of her relationship with either of them. A female character who isn’t defined by her relationships with men! So refreshing.

I have strong hopes for Wynonna Earp. I just hope I won’t be disappointed again. ~TRL

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6 Pairings That Romanticize Abuse

Abuse

Every time, I swear to God, every time I fall in love with a new TV show, some asshole comes along, sweeps up the main character, and brings down the entire show, causing me to stop watching in disgust. I’m not kidding, this has happened three times this year alone.

Abusive relationships being romanticized is one of the things that I absolutely hate with a burning passion. But gone are the days where the hero dudes go around smacking their girlfriends, because if that happened, everyone would be up in arms. No, TV and movies have found sneaky ways to paint abuse as “true love” and get away with it scot free. But luckily for you, my little raspberries, I’m here to expose their malpractices with the light of truth!

For this article, I’ve avoided obviously abusive pairings, like Joker/Harley Quinn and Hannibal Lecter/Will Graham, or pairings that have been beat to death by the mainstream like Bella/Edward (seen above) and Anastasia Steele/Christian Grey. I’m choosing to focus on those pairings who are the darlings of their fandoms, who can obviously do no wrong. Oh, but they can, my ducklings! They can. I’m about to rock your world.

**Warning: mild spoilers ahead for various media, including Star Wars: The Force Awakens and BBC Sherlock.**

1. The Phantom and Christine Daaé, The Phantom Of The Opera

Because every girl’s fantasy is to be stalked by a murderer in the shadows and be forced into marrying him or have to watch her childhood best friend be strangled to death. I don’t give a shit how many roses he leaves in her dressing room – that’s f**ked up.

Not to mention, Christine is 18. Eighteen! She’s barely legal as it is. She claims that the “Angel of Music” (the Phantom) has been tutoring her and watching over her since she first came to the opera house. She’s been living there since she was eight years old. And thanks to Madame Giry’s flashback, we know that Erik is only a few years younger than Madame Giry – so he’s 40, at least. This is a fully grown adult who’s been stalking a child and gaslighting her until she’s old enough to bang. That’s disgusting.

But, you know. Some free music lessons and a candlelit boat ride through a swamp make everything okay.

Gaslighting: a practice in which the abuser gains the trust of the victim and uses that trust to manipulate them into doing things against their will, all while maintaining the pretense of someone who has the victim’s best interest at heart.

2. Rey and Kylo Ren (Reylo), Star Wars VII: The Force Awakens

It honestly shocked me that this was even a popular pairing – or a pairing at all. Not as popular as Kylux (Kylo Ren and Armitage Hux), but it’s up there.

There’s not much to go on here, as there’s really only a couple of scenes between them, but what is there, is pretty frightening. I’m going to put aside the fact that Kylo straight up murdered Rey’s friend and father figure. I’ll even waive all the physical abuse in the lightsaber battles because, hey, this is Star Wars, and it isn’t exactly Star Wars without lightsaber battles.

But there is the creepy torture scene (torture isn’t a very good premise for a romantic relationship, now is it?) where Kylo is trying to get information out of Rey and threatens her with a line about how he can force her to tell him what he wants to know, and J.J. Abrams himself admits that this is supposed to be a “rape” scene. Getting inside a person’s head and violating their thoughts is mind rape. Plus there’s the disgusted, fearful look Rey makes as Kylo reaches toward her face that tells us all that Rey is in distress. Rey is trapped in the room, tied down, and can’t escape this situation, where she’s under the threat of physical violence and having her mind raped by Kylo. And that is abuse.

3. Kara Danvers and Mon-El (Karamel), Supergirl

This is what I was talking about earlier when I said TV shows often get ruined by some asshole (Mon-El) swooping in and becoming the protagonist’s “true love”. I’ve stopped watching Supergirl because my once beloved show about a strong, kind lady hero has been hijacked by this entitled jar of mayonnaise.

Upon crashing down in National City, Mon-El has done nothing by lie to Kara (not telling her that he’s the prince of Daxam), insult Kara and everything she stands for (“You fly around, rescuing people, like you’re just pure of heart, but that is crap. Because you love that attention. You love people loving you. You are not selfless.”), and go against Kara’s wishes (“You have ignored what I need from moment one today”), and generally just be a piece of shit (“I never said I wanted to save the world.” “Oh my God. You are so selfish!”). When she doesn’t return his affections, he whines and guilts her into loving him. And somehow – he ends up with her! What kind of message is that sending young girls?

Also, telling someone you allegedly love that they’re your “Kryptonite” (weakness) is NOT romantic. Love is supposed to make you stronger. If your romantic partner makes you “weak”, that’s a bad sign. Believe me, I know.

4. John Watson and Mary Morstan, Sherlock

I’ve been a little harsh on men in this list. But women can be abusers too, and this is a prime example.

Thanks to poor writing from misogynistic, self-satisfied dipshits, Mary Morstan’s characterization has been all over the place. But two things are for sure: Mary is a psychopath and a pathological liar. It eventually was revealed that Mary wasn’t as sugary sweet as she initially tasted. She was actually a killer for hire before meeting John, which she kept from him for almost an entire year, even after they were married. And the lengths she goes to keep that secret from him are outrageous. Namely, attempting to murder John’s best friend – the very same friend who had been missing for two years, whom John had been grieving over, which Mary had to know would devastate John at losing Sherlock all over again. But does she have any regards for his feelings? No. She would rather kill her husband’s dearest friend then have to come clean.

John does eventually find out, and naturally, is a little pissed off by it. So much so that he leaves her. When John finally does agree to speak to Mary again, she immediately guilt trips him – for being rightfully angry about Mary lying to him and trying to murder Sherlock. But for some reason, John takes her back and all is forgiven and forgotten.

(By the way, she never actually says that she’s sorry for shooting Sherlock in the chest. Not until she herself is dying, but honestly, series 4 is such out-of-character, bizarre, melodramatic, sloppily written horseshit that I don’t take any of it seriously. But that’s an essay for another day.)

And beyond all that…she’s just not a nice person. She makes fun of everyone, treating them all like they’re so beneath her. At one point she implies that John is so stupid, a dog is superior to him in intelligence. She’s manipulative, critical, and conniving. And yet, even though there’s little to no affection shown between John and Mary, she’s supposedly the great love of his life. His saving grace. His angel with a sniper rifle. *noise of disgust* Whatever.

5. Emma Swan and Captain Hook, Once Upon A Time

God, where do I BEGIN with these two?

Captain Hook completely ruined Once Upon A Time. He’s been sucking the soul out of Emma Swan for four seasons, and now she’s pathetic, codependent, and completely unrecognizable from the amazing, badass female protagonist that rolled into Storybrooke in a beat up Volkswagen seven years ago.

Hook started off, appropriately, as a villain. He gets into a sword fight with Emma right off the bat and makes lewd, rapey comments towards her. Emma was sensibly repulsed.

Then in season three, Hook decides he’s going to become the guy everyone loves – especially Emma. “I will win your heart,” he growls in her face. Again, another line that’s supposed to sound romantic, but is actually really gross.

Eventually, Emma was hooked (get it?), and her character development was sacrificed for makeout scenes with this guyliner wearing piece of shit. Like Mon-El and Mary, he lies to her constantly, doesn’t respect her wishes, manipulates her, and verbally abuses her when his world isn’t going perfectly ducky. In season 5, Emma saved Hook’s life by using dark magic, turning him into a Dark One (long story). She erased his and everyone else’s memory, but he does inevitably find out, and boy, does he drop that sweet boyfriend act fast. He hits Emma right in the emotional chink in her armor – by saying that all she’ll ever be is an orphan. He knows Emma’s trigger and uses it against her in the most brutal fashion possible. But are there ever any repercussions? Nope. Because Hook is the love of Emma’s life, and he can do no wrong!

Luckily, Jennifer Morrison, who plays Emma Swan on OUAT, has announced her retirement from the show after the end of season six, and this godawful romance can die a festering death. Let’s just pray Colin O’Donoghue (Hook) gets fired and the show is left to be run by the only two likable characters left, Regina and Henry Mills.

And number six…

6. Severus Snape and Lily Evans, Harry Potter

I get it, Internet. You pity him. He never got the girl of his dreams. It’s the age old love story: boy meets girl, boy likes girl, boy calls girl a racial slur – wait, what?!

There was no fucking excuse for Snape to EVER call Lily a Mudblood. James was bullying him, Lily stepped in to defend Snape, Snape got his sensitive little male ego bruised and had been hanging out with a bunch of wizard white supremacists, and called Lily the worst word possible. She was his best and only friend, and he called her that. So no, I don’t feel bad for Snape at all. Especially since he carried his butthurtedness against her and James past their deaths and onto their orphaned child who had endured domestic abuse for the last ten years of his life. Snape gets no sympathy from me.

Okay. Rant over. Hopefully next post will be something more cheery. Thanks for reading. ~TRL